Tuesday, August 28, 2012
Gotye & Kimbra
Wouter "Wally" De Backer (born 21 May 1980), also known professionally by his stage name Gotye, is a Belgian-Australian multi-instrumental musician and singer-songwriter. The name "Gotye" is derived from "Gauthier", the French equivalent of "Walter" or "Wouter". His voice has been compared to those of Peter Gabriel, Phil Collins, and Sting.
Gotye has released three studio albums independently and one album featuring remixes of tracks from his first two albums. He is a member of the Melbourne indie-pop trio The Basics, who have independently released three studio albums and numerous other titles since 2002. Gotye's 2011 single "Somebody That I Used to Know" reached Number 1 on the Billboard Hot 100, making him the fifth Australian based artist to do so and the second Belgian (after Sœur Sourire in 1963). He has won five ARIA Awards and received a nomination for an MTV EMA for Best Asia and Pacific Act. Gotye described himself as "less of a musician, more of a tinkerer." De Backer is bilingual, speaking both Dutch and English.
On 11 October 2011, it was announced that Gotye had been nominated for seven ARIA Awards. Seven nominations all related to "Somebody That I Used to Know". Gotye was nominated for Highest Selling Single, Single of the Year, Best Pop Release, Best Male Artist and three awards in the ARIA Artisan category: Best Video (Natasha Pincus), Engineer of the Year (Francois Tetaz) and Producer of the Year (Wouter De Backer). On the same day the nominations were revealed, the winners of the Artisan categories were announced, with Gotye and the album personnel winning all three. On 27 November 2011, Gotye won three ARIA Awards: Best Male Artist, Best Pop Release and Single of the Year for "Somebody That I Used to Know". Kimbra, who collaborated with Gotye on the song, also won the ARIA award for Best Female Artist.
Kimbra Lee Johnson (born 27 March 1990), known mononymously as Kimbra, is a New Zealand singer-songwriter/guitarist. On 29 August 2011, she released a debut album Vows which reached the top 5 in New Zealand and Australia. On 22 May 2012, the album was released in North America, debuting at number 14 on the Billboard charts
They are not lovers. The song is about break-up. Gotye had hard time to final femal vocal, even tried his own girlfriend. Eventually he found Kimbra who fits in.
Somebody That I Used To Know
A nice creation. Good to listen and watch :-))
"Somebody That I Used to Know" is an indie pop song written in the key of D Minor. It is composed mainly by arrangements of piano and electric guitar. Gotye uses a sample of Brazilian jazz guitarist Luiz Bonfá's 1967 instrumental song "Seville", with additional instrumentations of beats and a xylophone. The song also contains an interpolation of "End Title" from the film Jaws, played on a xylophone. It was written and produced by Gotye himself, while in his parents' barn on the Mornington Peninsula, Victoria. Gotye commented that he wrote the song "in quite a linear way", explaining that "I wrote the first verse, the second verse and I'd got to the end of the first chorus and for the first time ever I thought, 'There's no interesting way to add to this guy's story'. It felt weak".
[Gotye:]
Now and then I think of when we were together
Like when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember
You can get addicted to a certain kind of sadness
Like resignation to the end, always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad it was over
But you didn't have to cut me off
Make out like it never happened and that we were nothing
And I don't even need your love
But you treat me like a stranger and that feels so rough
No you didn't have to stoop so low
Have your friends collect your records and then change your number
I guess that I don't need that though
Now you're just somebody that I used to know
Now you're just somebody that I used to know
Now you're just somebody that I used to know
[Kimbra:]
Now and then I think of all the times you screwed me over
But had me believing it was always something that I'd done
But I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know
[Gotye:]
But you didn't have to cut me off
Make out like it never happened and that we were nothing
And I don't even need your love
But you treat me like a stranger and that feels so rough
No you didn't have to stoop so low
Have your friends collect your records and then change your number
I guess that I don't need that though
Now you're just somebody that I used to know
[x2]
Somebody
(I used to know)
Somebody
(Now you're just somebody that I used to know)
(I used to know)
(That I used to know)
(I used to know)
Sunday, August 26, 2012
Inner Calmness - Morning & Evening Thoughts - II
FIFTH MORNING
To dwell in love always
and towards all is to live the true
life, is to have Life itself. Knowing this, the good
man gives up himself unreservedly to
the Spirit of Love, and dwells in Love
towards all, contending with none, condemning
none, but loving all. The Christ Spirit of
Love puts an end, not only to all sin, but to all division and contention.
FIFTH EVENING
When sin and self are
abandoned, the heart is restored to its
imperishable Joy. Joy comes and fills the
self-emptied heart; it abides with the
peaceful; its reign is with the pure. Joy flees from the
selfish, it deserts the quarrelsome; it is
hidden from the impure. Joy cannot remain with
the selfish; it is wedded to Love.
SIXTH MORNING
In the pure heart there
is no room left where personal judgments
and hatreds can find lodgment, for it is
filled to overflowing with tenderness and
love; it sees no evil, and only as men succeed in
seeing no evil in others will they
become free from sin, and sorrow, and
suffering. If men only understood That the heart that sins
must sorrow, That the hateful mind
tomorrow Reaps its barren
harvest, weeping, Starving, resting not,
nor sleeping; Tenderness would fill
their being, They would see with
Pity’s seeing If they only understood.
SIXTH EVENING
To stand face to face
with truth; to arrive, after innumerable
wanderings and pains, at wisdom and bliss; not to
be finally defeated and cast out, but to
ultimately triumph over every inward
foe-such is man’s divine destiny, such his
glorious goal; and this, every saint, sage, and
savior has declared.
A man only begins to be
a man when he ceases to whine
and revile, and commences to search for
the hidden justice which regulates his
life. And as he adapts his mind to that
regulating factor, he ceases to accuse others
as the cause of his condition, and builds
himself up in strong and noble thoughts;
ceases to kick against circumstances, but
begins to use them as aids to his more rapid
progress, and as a means of discovering the
hidden power and possibilities within
himself.
SEVENTH MORNING
The will to evil and the
will to good Are both within thee,
which wilt thou employ? Thou knowest what is right
and what is wrong, Which wilt though love
and foster? which destroy? Thou art the chooser of
thy thoughts and deeds; Thou art the maker of
thine inward state; The power is thine to be
what thou wilt be; Thou buildest Truth and
Love, or lies and hate.
SEVENTH EVENING
The teaching of Jesus
brings men back to the simple truth that
righteousness, or right-doing, is
entirely a matter of individual conduct, and
not a mystical something apart from a
man’s thoughts and deeds.
Calmness and patience
can become habitual by first
grasping, through effort, a calm and patient
thought, and then continuously thinking
it, and living in it, until “use becomes
second nature,” and anger and impatience
pass away for ever.
EIGHTH MORNING
Man is made or unmade by
himself; in the armoury of thought he
forges the weapons
by which he destroys
himself; he also fashions the tools with
which he builds for himself heavenly
mansions of joy and strength and peace. By
the right choice and true application of
thought man ascends to the Divine
Perfection; by the abuse and wrong
application of thought he descends below the
level of the beast. Between these two
extremes are all the grades of character, and
man is their maker and master.
As a being of Power,
Intelligence, and Love, and the lord of
his own thoughts, man holds the key to
every situation.
EIGHTH EVENING
Whatsoever you harbour
in the inmost chambers of your heart
will, sooner or later, by the inevitable law of
reaction, shape itself in your
outward life. Every soul attracts its
own, and nothing can possibly
come to it that does not belong to it. To
realize this is to recognize the
universality of Divine Law. If thou would’st right
the world, And banish all its evils
and its woes. Make its wild places
bloom, And its drear deserts
blossom as the rose- Then right thyself.
"I loved you..." by Alexander Pushkin
Alexander Sergeyevich Pushkin was a Russian author of the Romantic era who is considered by many to be the greatest Russian poet and the founder of modern Russian literature.
Я вас любил.../I loved you once...
Я вас любил: любовь еще, быть может
В душе моей угасла не совсем;
Но пусть она вас больше не тревожит;
Я не хочу печалить вас ничем.
Я вас любил безмолвно, безнадежно,
То робостью, то ревностью томим;
Я вас любил так искренно, так нежно,
Как дай вам бог любимой быть другим.
I loved you once: perhaps that love has yet
To die down thoroughly within my soul;
But let it not dismay you any longer;
I have no wish to cause you any sorrow.
I loved you wordlessly, without a hope,
By shyness tortured, or by jealousy.
I loved you with such tenderness and candor
And pray God grants you to be loved that way again.
Я вас любил.../I loved you once...
Я вас любил: любовь еще, быть может
В душе моей угасла не совсем;
Но пусть она вас больше не тревожит;
Я не хочу печалить вас ничем.
Я вас любил безмолвно, безнадежно,
То робостью, то ревностью томим;
Я вас любил так искренно, так нежно,
Как дай вам бог любимой быть другим.
I loved you once: perhaps that love has yet
To die down thoroughly within my soul;
But let it not dismay you any longer;
I have no wish to cause you any sorrow.
I loved you wordlessly, without a hope,
By shyness tortured, or by jealousy.
I loved you with such tenderness and candor
And pray God grants you to be loved that way again.
Under the Harvest Moon
Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.
Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
- by Carl Sandburg
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.
Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
- by Carl Sandburg
Bad Hair Lead to Bad Mood ?
Will bad hair days lead to bad mood days? 60% chance. Deeply depressed in the first few days definitely.
It's been said that a woman's hair is her best accessory.
When our locks are healthy, shiny and in place just the way we like them, all is right with the world. When they're behaving more like a two-year-old in the grocery store just before nap time, it's another story.
Aside from moments of sheer and utter frustration with the bathroom mirror, the effects of a bad hair day can extend well past morning primping time. In fact, research links bad hair days with entire bad mood days.
Are we really so vain that our hair can affect our whole day?
Yes, says Dr. Marianne LaFrance, Professor of Psychology and of Women's and Gender Studies at Yale University, who analyzed information on how individuals felt during a bad hair day.
According to this study, increases in self-doubt, social insecurities and self-critical thoughts emerged when participants felt their locks were uncooperative. Even job performance was affected.
"Individuals perceive their capabilities to be significantly lower than others when experiencing bad hair," LaFrance stated in the research analysis.
And while both women and men are negatively affected by the phenomenon of bad hair days, LaFrance concluded that women tend to feel more disgraced, embarrassed, ashamed or self-conscious on those days, while men feel more nervous, less confident and less sociable.
Psychotherapist Heather Turgeon is not surprised. "Our culture heavily emphasizes appearance. It affects each person differently, and how we look to the outside world is tied to our mood and self image."
Turgeon says being in a low-confidence-hair-day mood is hard, because you feel like everyone notices, and you're sure that's the first thing they see. "It's kind of a spotlight effect -- you think people are paying way more attention than they really are."
She also says that when we're feeling low we're more likely to think we don't look good, even if our hair looks exactly the same, so a bad hair day is sometimes all in the mind.
"It's probably worse in your head than it is in other people's eyes," says Turgeon. "We think people notice our little gaffes and flaws, but generally they are way more forgiving than we are to ourselves."
by Deborah Dunham
It's been said that a woman's hair is her best accessory.
When our locks are healthy, shiny and in place just the way we like them, all is right with the world. When they're behaving more like a two-year-old in the grocery store just before nap time, it's another story.
Aside from moments of sheer and utter frustration with the bathroom mirror, the effects of a bad hair day can extend well past morning primping time. In fact, research links bad hair days with entire bad mood days.
Are we really so vain that our hair can affect our whole day?
Yes, says Dr. Marianne LaFrance, Professor of Psychology and of Women's and Gender Studies at Yale University, who analyzed information on how individuals felt during a bad hair day.
According to this study, increases in self-doubt, social insecurities and self-critical thoughts emerged when participants felt their locks were uncooperative. Even job performance was affected.
"Individuals perceive their capabilities to be significantly lower than others when experiencing bad hair," LaFrance stated in the research analysis.
And while both women and men are negatively affected by the phenomenon of bad hair days, LaFrance concluded that women tend to feel more disgraced, embarrassed, ashamed or self-conscious on those days, while men feel more nervous, less confident and less sociable.
Psychotherapist Heather Turgeon is not surprised. "Our culture heavily emphasizes appearance. It affects each person differently, and how we look to the outside world is tied to our mood and self image."
Turgeon says being in a low-confidence-hair-day mood is hard, because you feel like everyone notices, and you're sure that's the first thing they see. "It's kind of a spotlight effect -- you think people are paying way more attention than they really are."
She also says that when we're feeling low we're more likely to think we don't look good, even if our hair looks exactly the same, so a bad hair day is sometimes all in the mind.
"It's probably worse in your head than it is in other people's eyes," says Turgeon. "We think people notice our little gaffes and flaws, but generally they are way more forgiving than we are to ourselves."
by Deborah Dunham
Saturday, August 25, 2012
Pretty Boy -M2M
I lie awake at night
See things in black and white
I've only got you inside my mind
You know you have made me blind
I lie awake and pray
That you will look my way
I have all this longing in my heart
I knew it right from the start
Oh my pretty pretty boy I love you
Like I never ever loved no one before you
Pretty pretty boy of mine
Just tell me you love me too
Oh my pretty pretty boy
I need you
Oh my pretty pretty boy I do
Let me inside
Make me stay right beside you
I used to write your name
And put it in a frame
And sometime I think I hear you call
Right from my bedroom wall
You stay a little while
And touch me with your smile
And what can I say to make you mine
To reach out for you in time
Oh my pretty pretty boy I love you
Like I never ever loved no one before you
Pretty pretty boy of mine
Just tell me you love me too
Oh my pretty pretty boy
I need you
Oh my pretty pretty boy I do
Let me inside
Make me stay right beside you
[BRIDGE]
Oh pretty boy
Say you love me too
Oh my pretty pretty boy I love you
Like I never ever loved no one before you
Pretty pretty boy of mine
Just tell me you love me too
Oh my pretty pretty boy
Silentium Amoris - Oscar Wilde
As often-times the too resplendent sun
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.
And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.
But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.
And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.
But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.
So well
You love me so well.
What we have is incredibly good.
It's the million little things;
your caring nature, your big warm heart;
your loving ways; and the "I miss yous"
when we're apart.
You love me so well, that I can only express it from my heart.
I love you so much. I really do.
By K.Y.B
The Night of Sevens
The story of the cowherd and the weaver girl
In late summer, the stars Altair and Vega are high in the night sky, and the Chinese tell the following love story, of which there are many variations:
A young cowherd, hence Niulang (Chinese: 牛郎), came across a beautiful girl--Zhinü (Chinese: 织女 weavergirl), the seventh daughter of the Goddess, who just had escaped from boring heaven to look for fun. Zhinü soon fell in love with Niulang, and they got married without the knowledge of the Goddess. Zhinü proved to be a wonderful wife, and Niulang to be a good husband. They lived happily and had two children.
But the Goddess of Heaven found out that Zhinü, a fairy girl, had married a mere mortal. The Goddess was furious and ordered Zhinü to return to heaven. (Alternatively, the Goddess forced the fairy back to her former duty of weaving colorful clouds, a task she neglected while living on earth with a mortal.)
On Earth, Niulang was very upset that his wife had disappeared. Suddenly, his ox began to talk, telling him that if he killed it and put on its hide, he would be able to go up to Heaven to find his wife.
Crying bitterly, he killed the ox, put on the skin, and carried his two beloved children off to Heaven to find Zhinü. The Goddess discovered this and was very angry. Taking out her hairpin, the Goddess scratched a wide river in the sky to separate the two lovers forever, thus forming the Milky Way between Altair and Vega.
Zhinü must sit forever on one side of the river, sadly weaving on her
loom, while Niulang watches her from afar while taking care of their two
children (his flanking stars β and γ Aquilae).
But once a year all the magpies in the world would take pity on them and fly up into heaven to form a bridge (鹊桥, "the bridge of magpies") over the star Deneb in the Cygnus constellation so the lovers may be together for a single night, which is the seventh night of the seventh moon.
The seventh day of the seventh lunar month falls on:
6 Aug 2011
23 Aug 2012
13 Aug 2013
2 Aug 2014
20 Aug 2015
9 Aug 2016
28 Aug 2017
17 Aug 2018
7 Aug 2019
25 Aug 2020
Why she changed into a stupid hair style on this day if he was still mad at her? A sign.
In late summer, the stars Altair and Vega are high in the night sky, and the Chinese tell the following love story, of which there are many variations:
A young cowherd, hence Niulang (Chinese: 牛郎), came across a beautiful girl--Zhinü (Chinese: 织女 weavergirl), the seventh daughter of the Goddess, who just had escaped from boring heaven to look for fun. Zhinü soon fell in love with Niulang, and they got married without the knowledge of the Goddess. Zhinü proved to be a wonderful wife, and Niulang to be a good husband. They lived happily and had two children.
But the Goddess of Heaven found out that Zhinü, a fairy girl, had married a mere mortal. The Goddess was furious and ordered Zhinü to return to heaven. (Alternatively, the Goddess forced the fairy back to her former duty of weaving colorful clouds, a task she neglected while living on earth with a mortal.)
On Earth, Niulang was very upset that his wife had disappeared. Suddenly, his ox began to talk, telling him that if he killed it and put on its hide, he would be able to go up to Heaven to find his wife.
Crying bitterly, he killed the ox, put on the skin, and carried his two beloved children off to Heaven to find Zhinü. The Goddess discovered this and was very angry. Taking out her hairpin, the Goddess scratched a wide river in the sky to separate the two lovers forever, thus forming the Milky Way between Altair and Vega.

But once a year all the magpies in the world would take pity on them and fly up into heaven to form a bridge (鹊桥, "the bridge of magpies") over the star Deneb in the Cygnus constellation so the lovers may be together for a single night, which is the seventh night of the seventh moon.

6 Aug 2011
23 Aug 2012
13 Aug 2013
2 Aug 2014
20 Aug 2015
9 Aug 2016
28 Aug 2017
17 Aug 2018
7 Aug 2019
25 Aug 2020
Why she changed into a stupid hair style on this day if he was still mad at her? A sign.
Subscribe to:
Posts (Atom)